Our work will be exhibited at the Palazzo De Gualtieris, Castrignano de’ Greci (Lecce), Italy for Home Sweet Home curated by Paolo Mele, Claudio Zecchi, Alessandra Pioselli, Davide Quadrio. “Lastation […]

Our essay “The Currency of Contemporary Art” will be published by Sternberg Press for the book Between the Material and the Possible: Infrastructural Re-examination and Speculation in Art edited by Bassam […]

On Wednesday, December 22, Renzo Martens’ White Cube (2020) was available for viewing on the Weird Economies platform and coincided with this recent text and interview by us. https://weirdeconomies.com/contributions/white-cube

Infrahauntologies Part II Opening: January 27, 6pm January 28-March 12, 2022 La Box Galerie de l’Ecole Nationale Supérieure d’Art de BourgesBP 297, 9 rue Édouard-Branly, Bourges Tél : 02 48 […]

“Photographs of a Master Plan,” in Contemporânea

We will be presenting at the University of Applied Arts Vienna. The symposium is titled, Institutional Critique at the Post-Digital Turn: Museums and Databases.

We will be conducting a seminar at Maumaus Independent Study Programme.

The New Centre for Research & Practice, in collaboration with Richmond Art Gallery, will host the Incredible Machines 2022: Model Is the Message on October 1 and 2, 2022. The […]

We are participating in the project On Abstraction which includes an international colloquium, a bilingual publication and four exhibitions: (I) Paris (II) Porto (III) Barcelona (IV) Porto. Curated by Eduarda […]

We will have a conversation with fellow artists Agnieszka Kurant and Joshua Citarella to consider the impact of today’s fast-changing technological reality, moderated by Makayla Bailey Development Director of Rhizome.

Our essay “Sketches from a Secession” will be published by MIT Press for the Whitechapel: Documents of Contemporary Art series Speculation edited by Marina Vishmidt. Engaging with the question of […]

We will be participating in “Chat GPT, Language & the Future of Thinking & Writing” hosted by ESAP, Porto Lisbon & The New Center On June, 2nd, 3PM, at ESAP, […]

We will be conducting a seminar titled Silicon Valley Dreams and Hallucinating Machines at Maumaus Independent Study Programme.

Please join for the first public gathering of Weird Economies in Lisbon, Portugal. Weird Economies Portfolio will be a program of talks, screenings, and conversations by its organizers, board of […]

We are grateful to have received a NYSCA/NYFA Artist Fellowship for 2023! That’s New York Foundation for the Arts (NYFA) and the New York State Council on the Arts (NYSCA)

We received a two-year fellowship at Berlin University of the Arts (UdK) from October 2023-25. You may find out more about our proposed project on the UdK website.

For Spike #77 – Field Guide to AI, we discussed “AI’s weirder implications for the labor of art-making” with Vladan Joler & Sebastian Schmieg, moderated by Christian Kobald

We’ve been invited to present at Pratt’s DDA Guest Lecture Series this Spring. The event is open to the public, for more information and to register: https://www.pratt.edu/events/dda-guest-lecture-series-spring-2024-joao-enxuto-erica-love DDA Lecture Room […]

We will present a talk at New York University titled “Working Conditions.” The event is open to the public.

Einstein Auditorium, NYU Barney Building

34 Stuyvesant Street, New York, NY 10003

We will be conducting a seminar at Maumaus Independent Study Programme.

We are happy to exhibit A Film for People (The Ashpit) at Pivô in São Paulo, Brazil. Curated by Luiza Crossman, Financescapes will focus on the economics of atmospheric manipulation, […]

Artists  Tekla Aslanishvili, Tega Brain & Sam Lavigne, Mia Heidler, Sonja Hornung & Daniele Tognozzi, João Enxuto & Erica Love, Sybille Neumeyer, Oliver Ressler, Stefania Smolkina, open-weather / Soph Dyer […]

We will be conducting a seminar at Maumaus Independent Study Programme.

Our seminar titled, Prototyping Para-Institutional, will address para-institutions which emerged in the cultural field in response to major events such as the 2008 financial crisis and the Covid-19 pandemic, indicating […]